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alan butler alan butler

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    • The Production of Space (2023-2026)
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    • One Hundred Years of Solitude (2023)
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    • Hyperspace (2023)
    • Protean Views: Eboulement de la Vallée de Goldau (2023)
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    • Entanglement, with ANNEX (2021)
    • Seating from ‘Entanglement’ (with ANNEX, 2021)
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    • The Catwalker and the Catwalker’s Intern (2018)
    • The Enthusiasts (2018)
    • MONDO CANE! (2018)
    • Sturtevant_a_m_f_skidrow_01_Finite_Infinite (2018)
    • Le Moment Fabriqué (2017)
    • On Exactitude in Science (2017)
    • TWENTYSIX GASOLINE STATIONS (2017)
    • Virtual Botany Cyanotypes (2016-)
    • Deskscapes (2016-)
    • Down and Out in Los Santos (2015-)
    • Pragmatophobia.net (2014)
    • Come Together (2013)
    • Flying Tin Deep Pan Folly (2013)
    • Watch Us All Gavotte (2010)
    • Some Kind of Agit Prop Monster (2010)
    • The Image Factory (2008-2010)
    • Walking in Wall (2005)
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Deskscapes (2016-)

Date: 2016-Present
Media: Paintings based on manual image segmentation applied to the desktop wallpapers that come free with operating systems.
Deskscapes at Galerie Conrads, Berlin, 2022.

These painting works on their face are laboriously produced, psychedelic and abstract images. The fabrication of these works starts by taking ubiquitous landscape imagery that is featured in the digital wallpaper that ships with popular operating systems (MacOS, Windows, Ubuntu, Android, etc). Image-segmentation processes are then applied to the objects in the landscape, as a means to extract forms which are then filled with repetitive psychedelic lines, undoing the representational aspect of the source imagery. The context of this image segmentation process comes from the time the series started, 2016, which is the first months and years that popular machine learning algorithms were being trained to visualize and hallucinate slop. This training was carried out with vast amounts of distributed human labour, where objects were manually ‘segmented’ (outlined) in photographs and other imagery, Essentially, this form of labour, a logistical process in the history of machine learning development, was appropriated and used as a method for the design of their composition. This ongoing series is a formative body of work in the practice specifically relating to the production of hand-made digital artworks.

Left: Title: ‘Big Sur Road dot jpeg v1’ Date:2022 Dimensions:132cm x 132cm Medium:Lightfast acrylic on 100% cotton rag and right: Title: ‘Big Sur dot jpeg v2’ Date: 2022 Dimensions:132cm x 132cm Medium:Lightfast acrylic on 100% cotton rag
Title:’Mountain Range dot jpeg v1′ Date:2022 Dimensions:233cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Left: Title:’Yosemite dot jpeg v6′ Date:2022 Dimensions:203cm x 116.5cm Medium: Lightfast acrylic on 100% cotton rag and right: Title: ‘Death Valley dot jpeg v4’ Date: 2022 Dimensions:203cm x 116.5cm Medium: Lightfast acrylic on 100% cotton rag
Title:’Big Sur Mountains dot jpeg v1′ Date:2022 Dimensions:132cm x 132cm Medium: Lightfast acrylic on 100% cotton rag.jpg
Title:’Floating Ice dot jpeg v1′ Date:2022 Dimensions:233cm x 132cm Medium:Lightfast acrylic on 100% cotton rag
Title:’Death Valley dot jpeg v4′ Date:2022 Dimensions:203cm x 116.5cm Medium:Lightfast acrylic on 100% cotton rag
Title:’Big Sur Road dot jpeg v1′ Date:2022 Dimensions:132cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Title: ‘Mountain Range dot jpeg v1 Date:2022 Dimensions:233cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Title: ‘Big Sur dot jpeg Date: 2022 Dimensions:132cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Title:’Floating Ice dot jpeg v1′ Date: 2022 Dimensions:233cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Installation at Galerie Conrads, Berlin, 2022.
Title:’Monterey Graphic dot jpeg v2′ Date: 2022 Dimensions:132cm x 132cm Medium: Lightfast acrylic on 100% cotton rag
Installation at Galerie Conrads, Berlin, 2022.
Installation at Glucksman Credit: Venividi photo
Installation at Glucksman Credit: Venividi photo
Title:’Yosemite.jpg (v1)’ Date:2016 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’Yosemite 4.jpg (v1)’ Date:2016 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title: ‘Death Vallery dot jpg v4’ Date: 2018 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’Death Vallery dot jpg v5′ Date:2018 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’Death Valley.jpg (v1)’ Date:2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’Death Vallery dot jpg v2′ Date:2018 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’Death Vallery dot jpg v3′ Date:2018 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag Dimensions:127cm(w) x 225cm(h)
Title:’El Capitan 2.jpg (v1)’ Date:2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 201cm (h) x 126cm (w)
Title:’Yosemite 3.jpg (v2)’ Date:2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 224cm (h) x 126cm (w)
Title:’Yosemite 5.jpg (v1)’ Date:2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 224cm (h) x 126cm (w)
Title:’Desert.jpg (v1)’ Date:(2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 224cm (h) x 126cm (w)
Title:’Yosemite 4.jpg (v2)’ Date:2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 224cm (h) x 126cm (w)
Title:’Yosemite 4.jpg (v3)’ Date: 2017 Medium: Lightfast Pigment Paint on Archival 100% Cotton Portfolio Rag. Cold mounted to Dibond. Dimensions: 224cm (h) x 126cm (w)

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